Where does a beginner turn when they want to learn self-defense? What draws them to a particular martial art or school? For me in the early 1970s, it was Bruce Lee movies and the TV series Kung Fu. Today, it’s social media. Every time I open my phone or switch on my computer, there’s another video…
Tag: Student
Why Are We Still Preparing For The Fight First?
A few years ago, I wrote something about untrained people and how unpredictable they can be in a confrontation. The point at the time was simple enough – just because someone hasn’t trained doesn’t mean they’re not dangerous. In many ways, that unpredictability can make them more difficult to deal with. I still agree with…
Kata as Memory, Not Mystery
I came across a story told by Seikichi Iha (1931-2024) talking about the origins of kata. What stood out for me wasn’t the detail, it was the simplicity of the idea. He suggested that kata may have been formed by working backwards from what someone found useful in a fight – simply what worked for…
Karate Without Context
Someone made a comment recently that stuck with me. Not because it was unusual – but because it was honest. The person had been training in Shotokan for nearly 30 years and said he was completely indifferent to self-defense. For him, karate was a kind of moving meditation. Something personal. Something calm. Something far removed…
What Does ‘Style’ Really Tell You?
Whenever people ask me about karate or inquire about joining our dojo, a question that occasionally comes up is, “What style of karate do you practice?” But what does that really tell anyone? Does a style actually give insight into a practitioner’s skill or an instructor’s understanding of karate? There are those who place a…
When Self-Defense Becomes the Problem
Drills, whether practical or not, are often shown through demonstration. If you want to explain a movement or an idea, you need a partner, and at some level that partner has to cooperate for the demonstration to take place. There’s nothing wrong with that in itself. The problem starts when that cooperation isn’t recognized for…
Step-Kumite Isn’t the Problem – Misunderstanding It Is
Karate doesn’t fail people – unclear goals do. My page is predominantly about practical, pragmatic karate. It says so right at the top. So naturally, everything I write comes from that context. And from that perspective, something all of us have had to practice and learn at one time in our karate journey – step-kumite…
When Rank Loses Its Meaning
In the world of martial arts, grades are often viewed as a reflection of a practitioner’s journey – a blend of technical ability, deeper understanding, and personal character. Yet, from time to time, we come across individuals whose grade far outweighs their actual ability, knowledge, or behavior. And when that happens, it’s hard not to…
Basics: More Than Just Technique
One of the biggest challenges for any instructor is keeping students focused on the basics. Why is this important? Because without a good solid foundation, everything built on top of it eventually starts to give way. It might not be obvious at first. In fact, it often looks quite the opposite. People get faster, sharper,…
Kicking in Karate: A Question of Context
In the modern dojo, it’s common to see almost every combination include a kick somewhere within it. That isn’t accidental. It reflects the influence of competitive environments, where kicking plays a significant role. At a high level, competitors are exceptional athletes. They have the timing, flexibility, balance, and conditioning to apply kicks in ways that…
Standards Don’t Judge You – They Reveal You
Every dojo has its own rhythm, its own expectations, its own way of doing things. Mine is simple: if you train here, you show up. Not perfectly, not endlessly, not more than your life allows – just consistently. Recently someone suggested that expecting this might be a “privileged stance that lacks empathy”, or that speaking…
Tensho: Why So Many Versions?
I was practicing the kata Tensho recently – actually one of my favorite kata – and it got me thinking about its many variations. Not because it looks impressive, or because there’s a lot going on. In fact, it’s the opposite. There’s very little there on the surface. The movements are small, controlled, and repetitive….